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why didn’t he move up earlier?
“conditioning, i guess.” having finally overcome his inertia,
anderson moved to london – after a two-week sojourn at manchester
university – to study architecture at university college, in the
mid-1980s. the next stage of reinvention was forming a group, which
happened when anderson and osman (who had also moved to london) put
an ad in the classified pages of the new musical express.
they enlisted gilbert, a female singer who later left, and then
butler, who was soon to become to anderson what keith richards is to
mick jagger.
“it wasn’t like some film where one
day i picked up a guitar,” says anderson. “in hindsight i
suppose i knew what i was doing, but at the time it felt accidental.
singing was even an accident when i started playing with the band. i
thought i’d be a guitarist or something, i certainly never thought
of myself as a singer. i just wanted to… be different.” and then
they suddenly were.
a man who looks more like wynona ryder
than any self-respecting pop star has a right to, anderson is not as
obsessed with his looks as one would imagine. “i’m pretty
vain,” he says, “but people mistake that for being narcissistic.
it’s more self-critical. i’m not violently confident about the
way i look.”
due
to the modern appetite for seeing those blessed with talent cursed
with torment, much has been made of anderson’s sexuality, though
this has largely been the fault of the singer himself. his demeanor,
his lyrics, even the way he smacks his backside with his microphone
when singing, swanning about in his hipster trousers and a tight
black leather jacket, exposing his milky white chest – they all
point to a sexuality that is not
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