| finishes the saga,
agreeing that head music is “the album of their career”.
he describes it with words such as – in fact, these are the six
adjectives he uses – heady, euphoric, saucy, silly, classic,
effortless. not bad. did suede get any coverage at all in uncut
in the 21st century? not that i know of anyway.
as far as i can remember, q had
no big cover story dedicated to suede. their dislike of anything
post-butler had been long known already, but hey look! it’s a head
music review by tom doyle and it includes the following final
communiqué: “even if there might be a strong sense that suede
will definitely have to return to the drawing board for their next
record, in fear of dangerously stretching the point, head music
is easily – almost effortlessly – their best and most wholly
realised album to date.” like select’s wilkinson, doyle
writes about the staticness of suede, about them taking the risk of
becoming a ridiculous parody of themselves (an accusation often
heard ever since head music) – but “against all odds --
it’s a gamble that pays off.” 4 stars.
did i prove my point already? people
liked suede a hell of a lot more in 1999 than they did in
2003.
when you count together the press head
music got and the promotion it got, and then the press a new
morning didn’t get and the promotion it didn’t get, it’s
not very difficult to see why the former sold (well at least
something!) and the latter didn’t. they might not be perfect
albums, but neither of them – oh stone me if you like, i won’t
step back – neither of them is bad. they don’t deserve to be
slagged off on a “gotta pan this eh? right let’s see…” basis.
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